描述:Driven by globalization and localization it is urgent for the study of the Han Chinese\' s life ritual costumes to enter the phase of modernity transformation. Through quantitative and qualitative methods this paper sorts out the research literature on the Han Chinese\' s life ritual costumes in the past thirty years summarizing the structural features and result focus finding out the weaknesses in the current research and proposing an outlook in the future direction. Using CiteSpace 5. 8 R3 software this article firstly made co-occurrence analyses of " Author" " Institution" and "Keyword" based on papers related to life ritual costumes and the conclusions are as follows in terms of research authors before 2014 the representative scholars such as Ding Ding Zhao Lan Fan Zhijun etc. are from history department and after 2014 clothing department scholars such as Liang Hui\' e Cui Rongrong Zhang Jingqiong Li Yan etc. have gradually been added to the list. The research institutions are represented by School of History and Culture Minzu University of China and College of Textile Science and Engineering Jiangnan University and cover multiple research directions such as history department Chinese department philosophy department clothing department fine arts department etc. In addition much attention has been paid to wedding costumes and funeral costumes and after 2010 innovative design of traditional wedding costumes begin to receive a lot of attention. Then four categories of life ritual costumes are qualitatively analyzed and the research concludes that the study of childcare clothing is accompanied with that of costume customs of children\' s growth process especially customs that can drive away evil and avoid disasters for children and it gradually forms a thematic study of children\' s costumes in a certain category a certain region and a certain period. The initiation rite clothing has been greatly influenced by political factors in the process of inheritance and development for thousands of years because of some political factors so people know little about it now. In 2018 encouraged by the nation policy costume department scholars represented by Tao Hui began to focus on the study of the contemporary value and realization path of initiation rite clothing culture. Wedding costumes have been a hot spot in the study of the Han Chinese life ritual costumes mainly including the material and immaterial aspects analysis of wedding costumes from the art and design perspective research on traditional wedding costume consumption behavior under the consumption paradigm examination of wedding ceremonies and wedding costume customs from the perspective of costume folklore and research on traditional Chinese wedding costumes from the other perspective. Funeral costumes have been inseparable from the study of ritual systems and recently some scholars have also attempted to conduct restorative studies from images and digital media technology producing a series of 3D animations and television programs. Besides the focus of scholars represented by Ma Yi and Liang Hui\' e on funeral costume research has changed from "system ontology" to "costume ontology" and the secularization process of rituals. Finally we put forward three thoughts about the future research direction of the Han Chinese\' s life ritual costumes taking into account the national policy guidance and social hot issues in recent years. First we should integrate art folklore into study of the Han Chinese\' s life ritual costumes combine the wear field of ritual costumes and components of social life and analyze the process of costume participating in social life and artistic characteristics folklore wisdom and cultural connotations of various traditional life rituals. Second we should focus on the contemporary practice of the Han Chinese\' s life ritual costumes and explore how the "past" participates in the construction of the "present" and consider possible ways to continue the tradition from the dimensions of "material-product" "person-individual" and "event-ritual". Third as for the digital construction of the Han Chinese\' s ritual costumes we should establish a database by virtue of digital media technology to show the changes of ritual costumes of different space and time ranges in the Han gathering area and to recreate the traditional life ritual costume styles and matching occasions so as to add a new power for Chinese aesthetics.